Taron Egerton brought his mom and his very muchon-again girlfriend Emily Thomas伦敦的首映式Rocketmanlast night, days after they proudly stood by his side at the film’s world premiere in Cannes. One thing I really like about Taron? In spite of all of his success, he still looks like he can’t quite believe his life. WhenRocketmanearned a standing ovation at Cannes on Thursday night, he was caught on camera crying. It’s sweet, and seems genuine.

Later on during the France promo tour, when he performed the film’s title track with Elton Johnat the movie’s after-party, Lainey wrote to me and said:“He still looks like he wants to cry.”He may have been emotional, but it’s pretty compelling stuff. Plus, he auditioned for drama school with “Your Song.”

My favourite part comes about 10 seconds in, when Taron is asked about why he chose “Your Song”, and laughs about how verklempt he is:“Yes, yes, absolutely, I love that song, it’s one of the most beautiful songs ever written… (pause) I can’t believe it… I’m going to go again! (Everybody laughs)”

Now having launched (sorry) with two premieres, we can get a sense of theRocketmanreception at both Cannes and London. Taron’s getting loads of early praise, with the Rotten Tomatoes consensus reading, “It's going to be a long, long time before a rock biopic manages to capture the highs and lows of an artist's life likeRocketman” and registering at 88%after 43 reviews. The buzz is主要是发光的, save for The Wrap'sso-so response, which called it a slog in between some classic karaoke standards.

While the film debuted out of competition, Taron’s performance remains a Cannes standout. Taron’s exceptional work is being singled out, much like Antonio Banderas’ latest Pedro Almodóvar film疼痛和荣耀, and Robert Pattinson for Robert Eggers’ unsettling follow-up toThe Witch, The Lighthouse, which earneda five-star reviewfrom The Guardian’s Peter Bradshaw. But of those works, Taron’s performance, andRocketman,certainly has the most mainstream appeal, and we all remember what happened with Antonio and Pedro’s last collaboration,The Skin I Live In,which remained acclaimed, but received most of its awards attention from the genre celebrations.

I digress. The hype for Taron’s performance, his singing, and his full-circle sentimentality while tied to a living icon draws several comparisons to the awards and accolades Rami Malek received for his spin on Freddie Mercury inBohemian Rhapsody. After all, the films share a director, Dexter Fletcher, in the sense that he was called in to clean up a mess that Bryan Singer left behind. The comparisons are obvious and in-your-face, in that Rami isn’t the sole vocal performer on theBohemian Rhapsodysoundtrack, but Taron is. In fact, he sings 20 songs. The Elton John and Queen catalogues are both beloved by the public. And so far,Rocketmanhas better reviews thanBohemian Rhapsodydid. But how will it do at the box office? Taron arguably has more of a “marquee” profile than Rami (assumingThe Kingsmanfranchise has more fans thanMr. Robotdid around last fall), and though I doubt it’ll slayGodzillanext weekend, the trades are predicting a$20-25-million launch, which seems low to me.

Taron’s been speaking about the box office prospects, too,telling USA Today last week:

"To think that we’re going to make a billion dollars (in box office) is probably not a healthy way of looking at things. So we should adjust our expectations," says Egerton. "But 'Bohemian Rhapsody' shows there’s an appetite for this type of movie."

Granted,Rocketmanalso does not have theBohemian RhapsodyThanksgiving release date, but whatever they’re selling in Cannes (and London) looks to be creating the right type of attention, leaning into all of Elton’s eccentricities, fashion, and history, including those R-rated steamy scenes between Taron and Richard Madden, which do not appear to be edited out, like many feared. With 10 days before its release, it seems as though anyBohemian Rhapsodycomparison is only helpingRocketman, and making it carve out its own path… to the Golden Globes?