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Earlier this week, Sarah wrote thatMangrove,史蒂夫·麦昆(Steve McQueen)的小斧头系列中的第一部电影是“vital viewing”。莎拉(Sarah)对每期的评论将每周发布。恋人摇滚is the second film and that piece is coming Monday. After that it’ll beRed, White, and Bluestarring John Boyega.

John was named Icon of the Year by British GQ and last night attended the virtual celebration.

He is an icon because he continues to challenge the status quo, willing to say the uncomfortable thing because it’s the right thing. This year he marched and stood and wept with Black Lives Matter protestors denouncing white supremacy, sharing that even though he could lose his career,justice was the only priority. He also called out Disney and the Star Wars franchise for marginalising his and other BIPOC characters. And he cut ties with Joe Malone as their brand ambassador after they disappeared him from an ad campaign for the Chinese market that was about HIS life, HIS upbringing, HIS culture. So, yes, John Boyega is willing to leave the money on the table when the money stinks.

Johntells GQthat he has no interest in letting Jo Malone make it up to him, he has since had “transparent, open conversation” with JJ Abrams and Kathleen Kennedy, the president of Lucasfilm and he’s encouraged that even though he told them about themselves in the most public way possible, they may actually be interested in doing better. Maybe.

“Without specifying the substance of these conversations, he – somewhat intriguingly – mentions the fact that Kennedy is mounting an adaptation of West African-inspired fantasy bestseller Children Of Blood And Bone as “exciting”. And, moreover, it is a reminder that what can look, from the outside, like reckless bridge-burning is actually an urgent plea for a more equal exchange of ideas. Or, as Boyega himself put it the last time we spoke, sometimes you just have to be mad.”

As John has made clear, being a Black actor in a mega franchise like Star Wars, which is the property of an institution like Disney, as status quo as it gets, was to experience every day that that world, both real and imagined, wasn’t built for him. Sowhen he talks about working with Steve McQueen, you can imagine the difference it made:

“After everything that’s happened in my career and life it was so important for me to work with Steve McQueen,” he says. “He’s sort of like my guardian angel in the form of a director. And it’s the safest I’ve ever felt.”

The key word here is “safest”. And I wonder whether or not JJ Abrams and Kathleen Kennedy will read that and consider then how unsafe John felt when he was working with them; these are two of the most successful people in the business and they’ve been told that they were lacking in what is a workplace basic – providing a safe space. That’s a failure of leadership. As bosses they failed to protect their artists but as creatives, they failed the creative process too. How much better could the work be if all the members of the team were able to work under the best conditions?

词is, John Boyega delivers the best performance of his career in Steve McQueen’sRed, White, and Blue.As Steve told the AP:

“There’s something about [John] right now that’s vital. You want to hear that voice. It reminds me of Jack Nicholson in the ’70s where you wanted to hear that voice. There’s something dangerous and uncensored and untethered and sexy about him. That’s what you want in a leading man.”

红白和蓝本周末在英国广播公司(BBC)首映,下周将在Prime Video上发布。不幸的是,加拿大尚未提供小型斧头选集。我和你一样沮丧。

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